Our memories are sometimes wrong or not the same as those who lived the moment with us, but the truth of those memories are more important than the facts. I hold a special memory of my mother teaching me to draw.
What
I remember: her studio, an apple, cigar box of colors, the picture window,
talking to me, Rich playing war in the sandbox, favorite position for drawing,
watching TV, etc.
What
I don’t remember: her voice, my brother’s
picture (but I do remember his accurate drawings), when this happened, if it
actually did; more like a montage of several events... again, the truth is more
important than the facts.
“Mommm,
I can’t!! “
Belting
out my usual chant of low self-esteem, I dolefully peered into my mother’s
utility room that doubled as her art studio.
It was just a tiny room with barely enough space for the washer and
dryer and her art easel, but it was a place of magic that transformed blank
canvases into portraits of beautiful people who graced our lives.
I
was in my favorite position on my belly, scrawny legs sprawled behind me, feet
crossed at the ankles, propped up on my elbows. With the Rand McNally Road
Atlas in front of me as my easel pad, and a piece of paper I was attempting to
draw an apple my mother had placed in front of me. The autumn morning sun
beaming through the large picture window blanketed me and my tiny makeshift
studio in the doorway of her art magic.
My cartoonish flat (one dimensional ) round red apple glaring at me
while my older brother’s masterpiece abandoned for a sandbox game of plastic
green soldier war in the backyard, laughed at me with its authentic outline of
a perfect Red Delicious.
“How does he do that? It looks so real and mine
doesn’t!”
Well,
first of all, he’s a little older and has been practicing it a little longer.
You’ll be able to do that well in a couple of years, too.”
“But
I want to do it NOW!” I bellowed as I
flicked the red crayon through the threshold of her studio. With her perfect
parent patience, an inherited trait that I completely missed at the gene pool,
she reached for the offending crayon that just missed her ankle and walked over
to kneel beside me. She reached for a
new sheet of paper and placed it in front of me.
Leaning
over like she was about to go into a yoga partial child pose, her gentle voice
gracing the top of my ear she said, “Honey, it’s all a matter of just seeing.
Let’s just look at it for a moment. Is the shape of the apple really round? “
The
apple silently stood at attention as I studied it. Its shape was not round at
all but a little long and a bit triangular with bumps at the bottom and a
widow’s peak curve at the top where the stem sat. “No, not really.”
“Okay
then, use a pencil here and see if you can outline its shape. Look, even one of
the bumps is a little bigger than the other ones. “
I
drew the three bumps at the bottom and began to draw the sides of the apple
digging the pencil hard against the paper.
She patted my hand, “Relax, sweetie, hold the pencil a little lighter
and your lines will be softer.” My hand
released the death grip on the pencil and I looked up. She took my
hand and massaged it just long enough to make me notice how tense I was. She
took my pencil and in feather like strokes she guided the lead on the paper to
create the right side of the apple, then handed the pencil back to me. I mimicked her movements and created the left
side not totally unlike hers. Wow that
was cool. Then I looked at the apple again and proceeded to finish the
outline on top. A tiny glow of
confidence was beginning to take root. I beamed up a grin at my mother.
“That’s
just perfect, Suzy. Now look at the apple’s color. Is it all a solid red? “As
if suddenly changing its skin, the apple
gleamed with gradations of red gold to deep scarlet, with tiny specks of black
and brown. A gleaming crescent of silver
like my mother’s coat pin of glass diamonds shone on the side where the sun was
touching it.” Mom, this is going to take more than this one color isn’t it?
“
“Well
you have a whole cigar box of colors beside you. What colors can you use?” I
reached into the sea of colors making noisy waves through the pool snatching up
Burnt Orange, Bittersweet, Maroon, Goldenrod, Sienna, and Silver. Lining up the
soldiers of color, I began to doubt how I was going to use them all. Sensing my
hesitation, Mom said, “Use your first red and color lightly all over inside the
lines. Then take the other colors one at a time and look back at the apple to
find that color on its skin. Create that
same place on your apple. “
I creased my brow in concentration and
started the wash of red over the surface, barely noticing mother’s silent
retreat from my side. As each color had
its turn claiming its place on the canvas, my apple became something much more
than the red apple I first drew. The blended colors became one and I could see
a new apple.
I really don’t remember what that newly
drawn apple looked like, but the lessons have remained, and I’m not only
talking about drawing techniques. No thing or no one is just one-dimensional. Her amazing grace taught me to sit back, relax
a little, be patient, study my subject silently before beginning to take on any
task or try to create any solution. Where I was blind before, she had taught me
to see.
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Blessings to you,
Suzanne